If one thought the Travel and Hospitality sectors were the worst hit during COVID 19, think again. The Events industry isn’t far behind as it came to a standstill overnight as social distancing norms were enforced worldwide. Be it Music concerts, Sporting events, Stage shows or B2B Industry events, Roadshows and Town halls or Brand launches and Activations, all of it came to a shocking pause during March 2020.
This is a large industry in the Middle East, concentrated in UAE being the hub of the biggest events in the region, purpose-built venues, employing thousands of trained and skilled talent to deliver brand experiences on-ground. The lockdown has sent everyone in the industry reeling into a period of uncertainty with repercussions such as cancellations, rescheduling, layoffs and reduced pay. However a few have managed to swiftly adapt and move ahead from the largely Physical to Virtual world of events.
Here is a conversation had with 3 such companies who continue to do trail-blazing work as they change strategies, embrace technology and upskill their people to execute and deliver KPIs for their clients and sponsors. I take pleasure to introduce these leaders, whom I have had the privilege to know and work with.
- Rupa Vinod, Managing Director of Right Track Advertising, pioneers in integrated marketing solutions and brand activations and creating award winning event properties such as Western Union Camp Ka Champ, running for the 14th season for the blue-collared segment, amongst others
- Sudhir Syal, CEO of the region’s fastest growing Out-of-home entertainment booking platform – Bookmyshow
- Ganesh Iyer, Founder & Managing Partner of FLC Group a leading Marketing Services Agency focussed on Consumer engagement & Experiential marketing
How has your business evolved since the start of this pandemic? What are the steps taken to to prepare for the ‘new normal’
The shift to virtual performances and new ways of connecting with audiences at home have resulted in unprecedented engagement on virtual platforms. While adapting to the ‘new normal’, our value proposition has not changed, the way we deliver it has. Agility and innovation are paramount and by continuing to listen to our customers, we’ve been able to adapt successfully.
Our goal is to continue offering residents some respite from daily life during these uncertain times with captivating ‘live’ entertainment. The launch of ‘Live from HQ’ has allowed consumers to stay connected to our brand proposition and helped us build new communities. Six to eight weeks after a successful takeoff of free virtual entertainment, we looked at additional ways to support talent and keep the industry alive. As a result of this and to combat the extensive impact COVID-19 has had on live events, we partnered with Comic On Nights to launch a ticketed virtual series with affordable pricing, as low as AED 25. ‘Ha Ha Ha-Bibi’ was launched to stream live, comedy performances on Zoom, the virtual aspect includes significantly lower overheads compared to live events allowing us to keep an affordable ticket price point and also drive income for talent and organisers who have taken a big financial hit as an industry. With both performances to date being ‘sell out shows’ – Vir Das and Jeeveshu Ahluwalia – it is evident there is an appetite for comedy and a willingness to pay for fresh streamed/ live content.
Which sectors have been the first-movers when it comes moving from Physical to Virtual events? Any specific example of an event having moved online during COVID?
Rupa Vinod: Brands/products in the money remittances sector, telecom sector and personal care products have responded well because they need be omnipresent amongst their TG. Specific to the blue-collared segment who lead limited digital lives, there was an opportunity to engage the customer on their well-being and health in times of crisis like this. At this point we are in the process of finalising plans with clients and will get more clarity in a couple of weeks
Brand experiences delivered on-ground is key to FMCG brands. How does one manage the sensorial aspects of the brand experience on-ground.
Rupa Vinod: FMCG brands we manage have been open to adapt to virtual means of awareness and engagement with customers. We are finding ways of a blended approach to ensure the sensorial aspects of the brand experience are retained on-ground through social distancing. For example, while entertainment and education can be done well online, when it comes to sampling we have moved from a ‘one-to-one’ to ‘one-to-many’ approach on-ground.
Events, ground promotions and brand activations being in the traditional sphere of media, how are you ensuring your people have the needed skills to go Virtual?
How do you see the industry phasing our post-COVID? Much like the Sports, Music and Theatre industries, do you see a blended approach?
Some forms of entertainment can exist without live audiences for the short term; for example, sport has already made a return with Bundesliga football league making a return in Mid-May and the Spanish league making a return in June. Meanwhile the NBA has announced dates to resume its season and various international cricket matches are doing the same. Sport has a unifying impact giving millions a chance to tune in and cheer their teams on; these sporting events are able to still carry on as revenues aren’t solely dependent on in-stadium audiences. TV and sponsorship revenues play a huge role, making these sporting events feasible at present. That said, in the longer term, there’s no disputing the vibe and spirit catch a live game offers for both fans and players, which we eventually will hope to see a return to.
Similarly, smaller exhibitions, theatre performances, and other small-scale events which can facilitate social distancing will also recover. Unfortunately, scaling down live events with social distancing makes them financially unviable; therefore, live music acts with social distancing and reduced capacities are tougher to organise. We believe that effective guidelines like contact tracing, testing, and health passports need to be in order to get to a situation where one can come back to live concerts with full capacity as quickly as possible.
Smaller events, exhibitions, and conferences are likely to return quickly – we have a do-it-yourself (DIY) product tailor made for this named ‘Townscript’, which is an event registration and ticketing platform that will allow organisers to create and manage a myriad of smaller scale virtual and physical events. We have already begun to see traction on the platform since its recent launch.